Ever wonder if it would be better to work on Broadway or a Ballet Company? Lee Wilson explains why she ultimately shifted from ballet to Broadway in her this post. She is also the author of her new memoir, Rebel on Pointe: A Memoir of Ballet & Broadway.
When Lee Wilson first began dancing, she wore tap shoes and took lessons in her neighbor’s basement. “I loved the scraping sound of taps brushing across the cement floor, the clicking sounds of the heel taps, and the crash of a full-footed stomp,” Lee recalls in Rebel on Pointe, her memoir that we published this past Tuesday.
But it was after watching ballet company after ballet company perform that Wilson found a new art. “Ballet gave me a glimpse of a different world order, and I wanted to be a part of that world.” After dancing on pointe in Europe and with the Metropolitan Opera Ballet in New York, Wilson again felt drawn to a new dance outlet. “Every day, as I walked to the Metropolitan Opera House, I passed through the Broadway theatre district.” Wilson resolved to “become a part of this magical, musical, mind-expanding world,” and…
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